A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on…

This film, shot in pixilation (a kind of stop-motion animation with actors), is about two neighbours who come to barbaric blows over a flower that straddles the property line.

An animation film, made without the use of a camera, in which “boogie” played by Albert Ammons and “doodle” drawn by Norman McLaren combine to make a rhythmic, brightly colored…